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Why the brand folder always goes stale

Every studio has sent one. A zip, a Drive link, a folder of folders. Here is why it stops being the brand within about a month, and what to send instead.

· Heath Design Studio · Handover, Working with clients

Every studio has sent one. A zip file at the end of a project, or a shared Drive folder with the client's name on it, holding every logo variant, the palette, the fonts and a PDF of the guidelines.

It is a reasonable thing to send. It is also, within about a month, no longer the brand.

What actually happens to it

The folder does not rot on its own. People do entirely sensible things to it, and each one moves it further from the thing you handed over.

Someone downloads the logo they need and puts it in their own Downloads folder. That copy gets emailed to a printer. The printer keeps it. Eighteen months later a new marketing coordinator asks the printer for "the logo" and gets a file that predates the rebrand.

Someone else drags the whole folder into the company Drive, where it is renamed Branding FINAL and sits next to Branding OLD and Branding (2). Nobody can tell which is current, so everyone picks whichever one they opened last.

Then you update something. A new secondary lock-up, a tightened palette, an extra file format. You send a second zip. Now there are two folders that both look authoritative, and the only person who knows which one is right is you.

The problem is not the files

It is that a folder is a copy, and a copy has no way of knowing it has been superseded.

Everything that goes wrong above follows from that one property. The copy cannot tell anyone it is out of date. It cannot be withdrawn. It cannot answer "is this the current one?" - which is the only question anyone actually has when they open it.

Version numbers in filenames do not fix this. They are a convention that requires everybody downstream to care, and the person emailing a logo to a printer at 4pm on a Friday does not care.

What to send instead

Send an address, not a copy.

If the client opens a link rather than a folder, the awkward properties invert. There is one place the brand lives. Updating it updates what everybody sees, without sending anything. The question "is this current?" stops being a question, because there is nothing else it could be.

It also means you can see the whole kit as a thing you maintain rather than a thing you ship once. Adding the new secondary lock-up in six months is a two-minute job, not a re-issue.

The practical bar for this is lower than it sounds. The client should not need an account, because they will not make one. They should not need to remember a password, because they will not. It has to work on a phone, because half the time somebody is looking for the logo while standing in a print shop.

The one thing worth keeping from the zip

Structure. The reason a good brand folder is nested the way it is - primary and secondary marks, each in their colour treatments, each in the formats a printer and a web developer respectively need - is that the structure is itself part of the guidance. It tells someone which file to reach for.

Whatever you move to, do not flatten that into a single list of forty files. The client came to you partly so somebody would make those distinctions for them.


This is roughly the thinking behind BrandLocker. If it is useful to you as an argument for doing it some other way, that is a fine outcome too.